Data sheet: Porst Color Reflex MC auto 55 mm f/1.4 (m42)

Pekka Buttler, 03/2023


The table below summarises the lens’ key specifications (measurements based on pictured sample):

Brand:PorstLens nameColor Reflex MC Auto 1:1.4/55 mm
Focal length(s)155 mmAngle-of-view242°
Maximum Aperturef/1.4In Production≈1960s–70s
Lens mountm42Subfamily (if applicable)––
Length346,3 mmDiameter466,5 mm
Filter ring diameter55 mmWeight323 grams
Lens element count7Lens group count6
Aperture blades (S/R/C)56 SFocus throw≈300 °
Minimum focusing distance45 cmMaximum magnification1:6,0
Has manual aperture ringYESHas Manual focus ringYES

Further notes:
• Alike many off-brand m42-mount 55 mm f/1.4 lenses, this too is a rebranded sample of the legendary Tomioka 55 f/1.4.
• Being a m42 auto aperture lens, it has a M/A aperture mechanism switch and a pin in the mount used to facilitate aperture automation.
• My sample is in an outwardly shameful state, and even suffers coating separation (element 3). Even so, it manages to produce the kind of imagery one expects from a Tomioka 55 mm f/1.4
• Tomioka had considerable success with its 55 mm f/1.4 lens, and it remained in production for a long time (and was sold under more names than will be ever collated). During that time, it progressed through a number of ergonomic redesigns – from metal scalloped focus rings, over metal diamond-patterned focus rings [this sample], to faux leather and other rubber focus rings. As Porst continued offering m42 cameras and lenses for a long time, most of these ergonomic variants are available under the Porst brand.


See the JAPB company profile on Porst for more information on the company.

Porst sourced its lenses widely. While some of Porst lenses were direct rebrands of identical lenses of major brands, most were sourced from (mostly Japanese) off-brand/OEM manufacturers. While one cannot often say anything precise about the origins of lenses sourced from Japanese OEM’s this lens is a bit special, as it hails from the hallowed dojo at Tomioka.


If you want to natively mount this lens you need to find a functioning m42 mount film camera. Luckily that should be relatively easy as m42 bodies were produced in their millions and most of them lack features that are especially likely to have deteriorated to the point of making the entire camera inoperable.

Adapting this lens to a mirrorless, full-frame digital camera is a breeze thanks to the lens having full manual controls (aperture ring, focus ring). You simply need a dumb adapter from m42 to your mirrorless system (And set the lens in manual mode to be sure the aperture works as you intend).

Due to the medium flange focal distance used by the m42 mount (45,46 mm), whether you can adapt this lens to dSLR/SLR mounts depends on which dSLR mount: Canon EF, Four Thirds, Minolta/Sony A and Pentax K can mount m42 lenses using a simple adapter ring. Nikon F on the other hand is not as problem-free, and – to retain anything near infinity focus – the adapter will necessitate corrective optics. In all cases, your camera will work only in stop-down metering.


1 Focal length is (unless stated otherwise) given in absolute terms (not in Full-frame equivalent), and according to the manufacturer’s naming practice (which does not always reflect the lens’ actual field of view). For an understanding of whether the lens is wide/tele, see ‘Angle-of-view’.

2 Picture angle is given in degrees and concerns the diagonal picture angle. Rule of thumb:
> 90 ° ==> Ultra-wide-angle
70–90 ° ==> Wide-angle
50–70 ° ==> Moderate wide-angle
40–50 ° ==> ‘Standard’ or ‘normal’ lens
20–40 ° ==> Short tele lens
10-20 ° ==> Tele lens
5-10 ° ==> Long tele lens
< 5 ° ==> Ultra-tele lens

3 Length is given from the mount flange to the front of lens at infinity. Measured unless stated otherwise.

4 Diameter excludes protrusions such as rabbit ears or stop-down levers. Measured unless stated otherwise.

5 S=straight; R=rounded; C=(almost)circular at all apertures.

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