Data sheet: X-Fujinon 29–47 mm f/3.5–4.2 DM

Pekka Buttler, 02/2025

Pictured: Fuji Photo Film X-Fujinon•Z 29-47 mm f/3.5-4.2 DM

Specifications

The table below summarizes the lens’ key specifications:

Brand:Fuji Photo FilmLens nameX-Fujinon•Z 1:3.5-4.2 f=29-47mm DM
Focal length 129-47 mmAngle-of-view 273,4 – 49,4 °
Maximum Aperturef/3.5–4.2In Production1979– ≈ 1985
Lens mountFujica XSubfamily (if applicable)––
Length 352,6 mmDiameter 464,4 mm
Filter ring diameter55 mmWeight289 grams
Lens element count8Lens group count8
Aperture blades (S/R/C) 56 SFocus throw≈90 °
Minimum focusing distance
(measured)
60 cm (@29mm)
57 cm (@47mm)
Maximum magnification1:19,4 (@29mm)
1:12,7 (@47mm)
Has manual aperture ringYESHas Manual focus ringYES
Aperture mechanism typeAutomaticAperture click stops 63.5-5.6-8-11-16-22

Further notes:
• This is a compact wide-angle zoom lens. It uses a one-ring push/pull design. You push the ring forward to zoom out, pull the ring backward to zoom in and twist the ring sideways to adjust focus.
• The lens lengthens considerably (by 12,8 mm) on zooming out and further lengthens by a bit (5,7 mm) when focusing to MFD. The entire front of the lens (filter thread included) rotates on focusing.

Left: X-Fujinon•Z 29-47/3.5-4.2 zoomed to 47 mm and focused to infinity
Middle: X-Fujinon•Z 29-47/3.5-4.2 zoomed to 29 mm and focused to infinity
Right: X-Fujinon•Z 29-47/3.5-4.2 zoomed to 29 mm and focused to MFD

• Besides aperture ring and focus ring, this lens has a button to control the aperture ring’s auto setting (indicated by the yellow diamond). To enter or exit the auto setting, that button has to be pressed.
• The ‘DM’ in the lens’ name stands for “Dial Mode” and means that the lens can be used (on a Fujica X body) in program and shutter priority mode, once the aperture ring’s auto setting is engaged.

• This is one of three X-Fujinon Zoom lenses that Fuji introduced together with the Fujica X system in 1979, namely:
• Fuji Photo Film X-Fujinon•Z 29-47 mm f/3.5-4.2 DM (this lens)
• Fuji Photo Film X-Fujinon•Z 43-75 mm f/3.5-4.5 DM
• Fuji Photo Film EBC X-Fujinon•Z 75-150 mm f/4.5 DM
• Importantly all these three lenses were in the Fuji lineup even before 1979 as M42 Fujinon lenses. While the lenses got a new mount and an ergonomics upgrade, it is significant that all three are optically identical to the earlier M42 offering.
• While Fuji in 1982 introduced its EBC X-Fujinon-Z 35-70mm F/2.8-3.7 DM, this lens stayed in the lineup until Fuji withdrew from 35 mm SLR manufacture in 1985

History

Fuji Photo Film (nowadays: Fujifilm) was among the last major manufacturers to abandon the m42 thread mount for a proprietary lens mount. The Fujica STX-1 camera (introduced 1979) introduced a new lens mount (typically referred to as the Fujica X mount, not to be mistaken for the modern FujiX mount) and a series of new lenses. Many (if not most) of the lenses initially introduced for the Fujica X -mount were simply old (and venerable) Fuji Photo Film designs from the M42 era crammed into a new housing with a new mount.

Fuji has long been known for its high quality lenses – both in SLR’s compacts and medium and large format lenses – and it would have been interesting to see what Fuji Photo Film’s lineup of Fujica X lenses would have developed into. Alas, in the mid-1980s, Fuji Photo Film decided to withdraw from SLR manufacture and focused instead on both compacts and larger film formats. Whether that withdrawal was caused by disappointing sales of the Fujica X line, or due to the advent of autofocus SLR’s, I can only speculate.

Adapting

The only cameras able to natively mount Fujica X lenses are the Fujica STX and AX lines of manual focus, film SLRs. Should you want to use this lens on film, you can count yourself lucky that the AX and STX lines of Fujica’s generally seem to have well designed and manufactured, hence making compatible film bodies readily available for a pittance.

Adapting this lens to a mirrorless, full-frame digital camera is a breeze thanks to the lens having full manual controls (aperture ring, focus ring). However, due to the method of aperture control used the Fujica X lenses, the adapter will need a control ring to allow stopping down the lens (and you will need to remember to engage that ring). However, thanks to the relative scarcity of Fujica X lenses (caused, in part, by the shortish production run), Fujica X adapters are not quite as readily available as for more common, film-era mounts. Hence, while regular adapters are not difficult to come by, specialised adapters (such as speed boosters or tilt/shift adapters) are not easy to obtain.

Pictured: No-name Fujica X to Sony FE adapter (notice the lack of markings on the aperture control ring on this adapter)

Due to the shortish flange focal distance used by the Fujica X mount (43,5 mm), adapting this lens to dSLR/SLR mounts is not as problem-free, and – to retain anything near infinity focus – the adapter will necessitate corrective optics. Even so, adapters to many dSLR mounts are available.

Footnotes

  1. Focal length is (unless stated otherwise) given in absolute terms, and not in Full-frame equivalent. For an understanding of whether the lens is wide/tele, see ‘Angle-of-view’. ↩︎
  2. Picture angle is given in degrees and concerns the diagonal picture angle. Rule of thumb:
    > 90 ° ==> Ultra-wide-angle
    70–90 ° ==> Wide-angle
    50–70 ° ==> Moderate wide-angle
    40–50 ° ==> ‘Standard’ or ‘normal’ lens
    20–40 ° ==> Short tele lens
    10-20 ° ==> Tele lens
    5-10 ° ==> Long tele lens
    < 5 ° ==> Ultra-tele lens ↩︎
  3. Length is given from the mount flange to the front of lens at infinity ↩︎
  4. Diameter excludes protrusions such as rabbit ears or stop-down levers ↩︎
  5. S=straight; R=rounded; C=(almost)circular at all apertures. ↩︎
  6. Numbers equal aperture values on aperture ring; • intermediate click; – no intermediate click.a ↩︎

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