Pekka Buttler, 01/2023 (Updated 01/2024)

Specifications
The table below summarizes the lens’ key specifications (Measurements based on pictured sample):
Brand: | Minolta | Lens name | MC Tele Rokkor-HF 1:4.5 f=30cm |
Focal length(s) 1 | 300 mm | Angle-of-view 2 | 8,2 ° |
Maximum Aperture | f/4,5 | In Production | 1970–1973 |
Lens mounts | Minolta SR | Subfamily (if applicable) | MC (II) |
Length 3 | 199,8 mm | Diameter 4 | 80,4 mm |
Filter ring diameter | 72 mm | Weight | 1180 grams |
Lens element count | 6 | Lens group count | 6 |
Aperture blades (S/R/C) 5 | 6 S | Focus throw | 315 ° |
Minimum focusing distance | 4,5 m | Maximum magnification | 1:12,9 |
Has manual aperture ring | YES | Has Manual focus ring | YES |
Aperture mechanism type | Automatic | Aperture click stops 6 | 4.5•8•11•16•22 |
Further notes:
• The combination of 300 mm focal length and a maximum aperture of f/4.5 was typical for a legacy-age high-performance long tele lens. Many of Minolta’s competitors featured a similar offering.
• The predecessor of this lens (the MC I version) was Minolta’s first 300 mm lens to feature automatic aperture (the previous 300 mm lenses were preset lenses). The MC I and MC II versions are otherwise identical (only the focus ring was redesigned).
• This lens features:
• an aperture stop-down button (on the aperture ring)
• a tripod mount collar with 120° of movement (and a tightening screw)
• an extendable, built-in hood (that cannot be locked in extended state).
• As with many older lenses, also this reports its focal length in centimetres (see below).

Versions
The 300 mm f/4.5 has been a staple of Minolta’s Tele lineup, and has been offered from 1960 to the end of the Minolta SR mount. A genealogy of the design’s development is summarised in the table below.
Name (on lens) | Variant & Generation | years | aperture | hood | min. aperture | elements | groups | filter thread | weight |
TELE ROKKOR-TD | SR | 1960–1965 | preset | D77NA | f/22 | 4 | 3 | 77 | 1250 |
TELE ROKKOR-QD | SR | 1965-1969 | preset | D77NA | f/22 | 4 | 4 | 77 | 1020 |
MC TELE ROKKOR-HF | MC I | 1969–1970 | auto | built-in | f/22 | 6 | 6 | 72 | 1150 |
MC TELE ROKKOR-HF | MC II | 1970–1973 | auto | built-in | f/22 | 6 | 6 | 72 | 1150 |
MC TELE ROKKOR(-X)-HF | MC X | 1973–1978 | auto | built-in | f/22 | 6 | 6 | 72 | 1155 |
MD TELE ROKKOR(-X) | MD II | 1978–1981 | auto | built-in | f/32 | 7 | 6 | 72 | 710 |
MD | MD III | 1981-≈1985 | auto | built-in | f/32 | 7 | 6 | 72 | 705 |
Adapting
This lens cannot be used natively on any current SLR or dSLRs. To use it in its native environment, you will need a Minolta SR (SR/MC/MD/X-600) film camera. Luckily these are quite easy to find. To use the lens’ full designed capabilities, a Minolta MD-compatible body (any Minolta SR body launched after 1977) is most recommended..
Thanks to being a fully manual lens (manual aperture, manual focus), the lens can be adapted to all mirrorless cameras using a suitable adapter. Moreover, a simple ‘dumb adapter’ will do the job perfectly. Thanks to the popularity of the Minolta SR mount, the availability of adapters to all mirrorless mounts can be taken for granted, on the other hand, specialist adapters (speed boosters, helicoid adapters, tilt/shift adapters) are not available for all mirrorless mounts, but daisy-chaining adapters (e.g. Minolta SR -> Canon EF; Canon EF –> mirrorless) can offer a work-around.
Using Minolta SR mount lenses on dSLRs is also be an option, but it is not trouble-free due to that the Minolta SR mount’s flange focal distance is shorter than that of any dSLR mount (technically with the exception of Olympus’ four thirds mount). Hence, any attempt at adapting Minolta SR lenses must rely on an adapter that uses corrective optics to allow infinity focus. However, such adapters are readily available.
History of Minolta
Minolta exited the camera business in 2006 and sold its remaining photographic assets to Sony. The 50 years before that ignominious date tell a very different story: one of a Japanese optics and innovation powerhouse that has interesting links to Germany – not Nazi Germany, but both pre WWII Germany as well as postwar West Germany. Read more in the Minolta company profile.
Footnotes
- Focal length is (unless stated otherwise) given in absolute terms, and not in Full-frame equivalent. For an understanding of whether the lens is wide/tele, see ‘Angle-of-view’. ↩︎
- Picture angle is given in degrees (based on manufacturers’ specs) and concerns the diagonal picture angle. Rule of thumb:
> 90 ° ==> Ultra-wide-angle
70–90 ° ==> Wide-angle
50–70 ° ==> Moderate wide-angle
40–50 ° ==> ‘Standard’ or ‘normal’ lens
20–40 ° ==> Short tele lens
10-20 ° ==> Tele lens
5-10 ° ==> Long tele lens
< 5 ° ==> Ultra-tele lens ↩︎ - Length is given from the mount flange to the front of lens at infinity. ↩︎
- Diameter excludes protrusions such as rabbit ears or stop-down levers. ↩︎
- S=straight; R=rounded; C=(almost)circular at all apertures. ↩︎
- Numbers equal aperture values on aperture ring; • intermediate click; – no intermediate click. ↩︎