Pekka Buttler, 08/2023
Pictured sample (from ≈1962) has distance scale in only metres.
Specifications
The table below summarizes the lens’ key specifications (Measurements based on pictured sample):
| Brand: | Schneider-Kreuznach | Lens name | Retina-Tele-Xenar f:4/135 mm |
| Focal length(s) 1 | 135 mm | Angle-of-view 2 | ≈ 18 ° |
| Maximum Aperture | f/4 | In Production | 1959–1974 |
| Lens mounts | DKL | Subfamily (if applicable) | DKL/Retina |
| Length 3 | 67,9 mm | Diameter 4 | 59,9 mm |
| Filter ring diameter | 58 mm | Weight | 323 grams |
| Lens element count | 4 | Lens group count | 3 |
| Aperture blades (S/R/C) 5 | 5 S | Focus throw | 270 ° |
| Minimum focusing distance | 4 m | Maximum magnification | 1:27,6 |
| Has manual aperture ring | NO | Has Manual focus ring | YES |
| Aperture mechanism type | Automatic | Aperture click stops | N/A |
Further notes:
• This lens is a DKL-mount lens (see the article on the DKL mount), and therefore does not have an aperture ring (the aperture ring was on the camera-end of the mount).
• All DKL mount lenses – irrespective of manufacturer – follow a very similar design and aesthetic. Part of that design is defined by the structure of the leaf shutter integrated in the mount, but it seems that manufacturers followed a common playbook regarding colors (silver), typography, ergonomics and usability.
• While some of these aspects are admirable (such as the red ‘whiskers’ that change to indicate depth-of-field at the chosen aperture), others are a bit tedious (generally narrow, rather heavy focus rings).
• While DKL lenses in general are not renowned for having short minimum focusing distances (quite the opposite), this lens really takes the biscuit: at a MFD of 4 metres, its minimum focusing distance is roughly three times that of a average 135 mm lens.
History of Schneider-Kreuznach
Schneider-Kreuznach – alike Meyer-Optik Görlitz, Carl Zeiss Jena, Leitz Wetzlar, and many others – is one of those German optics companies that feature the location of the company quite prominently in the company trademark. The company behind that trademark was founded as Optische Anstalt Jos. Schneider & Co in the town of Bad Kreuznach in 1913 (today the legal name of the company is Jos. Schneider Optische Werke GmbH; The Jos. is short for Joseph).
Schneider-Kreuznach is the veritabel optics decathlete, in that they have manufactured high-quality optics and lenses for pretty much every imaginable platform ranging from mobile phone camera lenses to large format lenses, enlarger, repro and macro lenses, projector lenses, cine lenses, and various industrial applications.
The heyday of Schneider-Kreuznach was in the early postwar decades. With the German photo industry still dominant and with a wide range of formats (from cine to large format) still popular, Schneider’s was able to use its wide portfolio of technologies and designs to its advantage. But the swansong of the (West-)German photo industry also meant that Schneider started pruning its format portfolio.
While Schneider-Kreuznach today has largely withdrawn from manufacturing optics for still photography the company is still prominent in cine lenses as well as various industrial applications.
The Tele-Xenar name
Schneider-Kreuznach has a long tradition of referring to a wide range of medium to longer tele lenses under the name Tele-Xenar. Hence, the name says little about the actual optical design and is more akin to a statement of purpose (‘this is a tele lens’).
Versions
There are two outwardly quite distinct versions of the 135 mm Tele-Xenar (for DKL mount). The earlier version (pictured above) is sometimes referred to as the ‘silver bell’ version, whereas the later version (which is significantly less common) is black at the front and not bell-shaped (which might indicate a change in the optical recipe), which I will – in my truly unimaginative fashion – refer to as the ‘black tube’ version.However, the changeover is not well documented.
Based on serial numbers of samples available on eBay production of the silver bell version was still going strong in 1965–1966 (a lot of Tele-Xenars with serial numbers in the 9 million range), but then nothing until the Tele-Xenars make a reappearance in the 11 million range (1968–1972) and then predominantly as black tube versions versions.
As an interesting aside, there seems to be a possibility that both versions were produced/sold at the same time, as the newest silver bell version I have managed to find online 6 had a serial number in excess of several black tube versions.
Adapting
To use this lens in its native environment, you will need a Kodak Retina IIIS, Kodak Retina Reflex S, III or IV or a Kodak Instamatic Reflex body. While these still exist in comfortable numbers, those numbers are dwindling. Moreover, due to the inherent complexity of the leaf shutter SLR construction, repairs will not be easy to procure.
This lens can be adapted to all mirrorless cameras using a suitable adapter. Because this lens (alike most DKL lenses) does not have an aperture ring of its own, you will need an adapter that allows you to control the lens’ aperture. As the DKL mount was of only moderate popularity, availability of DKL adapters to all mirrorless mounts cannot be taken for granted. On the other hand, one can be strategic with adapters (e.g. DKL->Canon EF; Canon EF –> mirrorless) which also opens up a wide range of special adapters (speed boosters, helicoid adapters, tilt/shift adapters).
While the flange focal distance of the DKL mount would indicate otherwise, using this lens on an SLR/dSLR is also an option (see the DKL mount article to understand why), assuming a suitable adapter can be found/manufactured. As of this writing, DKL to SLR adapters exist for at least the following mounts: Canon EF, m42, Minolta/Sony A, Nikon F, Pentax K.
Footnotes
- Focal length is (unless stated otherwise) given in absolute terms, and not in Full-frame equivalent. For an understanding of whether the lens is wide/tele, see ‘Angle-of-view’. ↩︎
- Picture angle is given in degrees (based on manufacturers’ specs) and concerns the diagonal picture angle. Rule of thumb:
> 90 ° ==> Ultra-wide-angle
70–90 ° ==> Wide-angle
50–70 ° ==> Moderate wide-angle
40–50 ° ==> ‘Standard’ or ‘normal’ lens
20–40 ° ==> Short tele lens
10-20 ° ==> Tele lens
5-10 ° ==> Long tele lens
< 5 ° ==> Ultra-tele lens ↩︎ - Length is given from the mount flange to the front of lens at infinity. ↩︎
- Diameter excludes protrusions such as rabbit ears or stop-down levers. ↩︎
- S=straight; R=rounded; C=(almost)circular at all apertures. ↩︎
- See this item on eBay ↩︎